Process: Tome-zuki (Kami-suki #3)

Tome-Zuki is the hybrid method of Tame-zuki and Nagashi-zuki, so it is called also Tame-Nagashi-Zuki. ”Tome” means "Keeping" or "Stopping". The artisan scoops the fibre solution from the vat, then shakes the mould and waits for a while until the material drains. The timing is not strictly defined, and only recognized by the artisans individually. Uda-gami of Yoshino is made using this method. Although this is not a widely-used method, some of the artisans use this method occasionally to suit a particular requirement. 

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Process: Nagashi-zuki (Kami-suki #1)

Nagashi-Zuki (流し漉き) is the most commonly-used method of Washi making. It was developed roughly 1,000 years ago. In this method, an artisan shakes the mould (sugeta) intensely. The manner of shaking horizontally and vertically depends on the kind of paper being made. This method is effective for making strong paper, […]

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Process: Subuse (Kami-suki #4)

Subuse is a special rare method of Washi making, inherited by only two workshops in Yoshino. The artisan scoops the fibre solution with the mould and shakes it, then immediately pastes it on a wooden board directly, skipping the paper layering phase. Because many boards are required, and carrying them […]

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Process: Tome-zuki (Kami-suki #3)

Tome-Zuki is the hybrid method of Tame-zuki and Nagashi-zuki, so it is called also Tame-Nagashi-Zuki. ”Tome” means “Keeping” or “Stopping”. The artisan scoops the fibre solution from the vat, then shakes the mould and waits for a while until the material drains. The timing is not strictly defined, and only […]

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Process: Tame-zuki (Kami-suki #2)

Tame-zuki(溜め漉き) is an old-style, slightly rare method of Washi making. It is similar to the papermaking methods used outside of Japan. “Tame” means “Collecting”, and in this case refers to the material, fibre solution. The artisan doesn’t intensely shake the mould (Sugeta). They just scoop the fibre solution from the vat […]

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GK-01 Higashinakae Washi Kakou Seisan Kumiai

The Miyamotos makes the paper from their own cultivated Kozo and Tororoaoi. The raw Kozo material is bleached using heavy snow around the house. Because of the high quality and stable reliability of their paper, it was used for the restoration for various important constructions, including “Katsura Rikyu Imperial Villa […]

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YO-01 Fukunishi Washi Hompo

They stubbornly keep the traditional way of making Uda-Gami (宇陀紙), which is used for the National Treasures. The workshop stands on the upland, overlooking Yoshino river. It looks like the typical “Traditional Paper-making House”. Mr Fukunishi Masayuki is the holder of the Selected Preservation Techniques, which is certified by the […]

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