Process: Nagashi-zuki (Kami-suki #1)

Nagashi-Zuki (流し漉き) is the most commonly-used method of Washi making. It was developed roughly 1,000 years ago. In this method, an artisan shakes the mould (sugeta) intensely. The manner of shaking horizontally and vertically depends on the kind of paper being made. This method is effective for making strong paper, as the fibers bind together tightly. An artisan can control the thickness easily with this method. The fibre solution in the vat is the water mixed with fibre and dispersant (Neri), which suspends and spreads the fibres evenly on the screen.

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Process: Nagashi-zuki (Kami-suki #1)

Nagashi-Zuki (流し漉き) is the most commonly-used method of Washi making. It was developed roughly 1,000 years ago. In this method, an artisan shakes the mould (sugeta) intensely. The manner of shaking horizontally and vertically depends on the kind of paper being made. This method is effective for making strong paper, […]

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Process: Subuse (Kami-suki #4)

Subuse is a special rare method of Washi making, inherited by only two workshops in Yoshino. The artisan scoops the fibre solution with the mould and shakes it, then immediately pastes it on a wooden board directly, skipping the paper layering phase. Because many boards are required, and carrying them […]

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Process: Tome-zuki (Kami-suki #3)

Tome-Zuki is the hybrid method of Tame-zuki and Nagashi-zuki, so it is called also Tame-Nagashi-Zuki. ”Tome” means “Keeping” or “Stopping”. The artisan scoops the fibre solution from the vat, then shakes the mould and waits for a while until the material drains. The timing is not strictly defined, and only […]

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Process: Tame-zuki (Kami-suki #2)

Tame-zuki(溜め漉き) is an old-style, slightly rare method of Washi making. It is similar to the papermaking methods used outside of Japan. “Tame” means “Collecting”, and in this case refers to the material, fibre solution. The artisan doesn’t intensely shake the mould (Sugeta). They just scoop the fibre solution from the vat […]

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NU-02 Gosuke Washi

Mr Kikuchi Hiroshi is making the big Japanese Paint paper (日本画紙全紙=160cmx78cm), using local high-quality Nasu Kozo. That size is already quite rare because of the difficulty of making. It is made by two men himself and his cousin. There are many big fans of the paper. There is a long […]

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YK-01 Yokono Washi / Ueda Tesuki Washi Kojo

Mimasaka (美作), current a part of Okayama prefecture, has been known as a paper-making district since the 8th century. The name was described on the Shōsō-in(正倉院) document. At present, only the Ueda family in the Kami-Yokono village inherits the tradition. They use only Mitsumata, cultivated locally. The paper is used […]

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