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DESCRIPTION
YO-01A-001
Paper Name :
Uda gami thick
District :
Yoshino
Artisan :
Fukunishi Masayuki of Fukunishi Washi Honpo
Sepc :
Kozo, 145.0x33.0cm, 40.0gsm
The Japanese cultural heritage paintings are definitely depending on this paper. Mr Fukunishi is strictly keeping the traditional method of Washi making. This is used for backing(lining) for the painting at the last layer as a full base (So-ura).
YO-01A-002
Paper Name :
Uda gami
District :
Yokono
Artisan :
Fukunishi Masayuki of Fukunishi Washi Honpo
Sepc :
Kozo, 145.0x33.0cm, 41.1gsm
The Japanese cultural heritage paintings are definitely depending on this paper. Mr Fukunishi is strictly keeping the traditional method of Washi making. This is used for backing(lining) for the painting at the last layer as a full base (So-ura).
YO-01A-003
Paper Name :
Uda gami (Tomato Dye)
District :
Yoshino
Artisan :
Fukunishi Masayuki of Fukunishi Washi Honpo
Sepc :
Kozo, 145.0x33.0cm, 31.8gsm
The Japanese cultural heritage paintings are definitely depending on this paper. Mr Fukunishi is strictly keeping the traditional method of Washi making. This is used for backing(lining) for the painting at the last layer as a full base (So-ura). The colour is slightly reddish with tomato.
YO-01A-005
Paper Name :
Uda gami (Akebi Dye)
District :
Yoshino
Artisan :
Fukunishi Masayuki of Fukunishi Washi Honpo
Sepc :
Kozo, 145.0x33.0cm, 23.7gsm
The Japanese cultural heritage paintings are definitely depending on this paper. Mr Fukunishi is strictly keeping the traditional method of Washi making. This is used for backing(lining) for the painting at the last layer as a full base (So-ura). The colour is slightly greyish with Akebi Vine.
YO-01A-007
Paper Name :
Kizuki Kuzu-gami (thin)
District :
Yoshino
Artisan :
Fukunishi Masayuki of Fukunishi Washi Honpo
Sepc :
Kozo, 145.0x33.0cm, 22.4gsm
The paper without white clay from Uda-gami. The usage is the same. The Japanese cultural heritage paintings are definitely depending on this paper. Available from thin to thick as for requirement.
YO-01A-008
Paper Name :
Kizuki Kuzu-gami (thick)
District :
Yoshino
Artisan :
Fukunishi Masayuki of Fukunishi Washi Honpo
Sepc :
Kozo, 145.0x33.0cm, 35.2gsm
The paper without white clay from Uda-gami. The usage is the same. The Japanese cultural heritage paintings are definitely depending on this paper. Available from thin to thick as for requirement.
YO-02A-001
Paper Name :
Sugikawa-shi Shoji (Narrow)
District :
Yoshino
Artisan :
Ue Sadao of Ue Washi Kobo
Sepc :
Kozo & Cedar Bark / Hinoki Bark, 101.0x33.0cm, 38.0gsm
Made from Kozo and local cedar bark. Yoshino is famous for the forest industry historically. Mr Ue invented this paper using the local material. Looks very wild, it feels like in the forest.
YO-02A-002
Paper Name :
Sugikawa Wall paper, Uda gami
District :
Yoshino
Artisan :
Ue Sadao of Ue Washi Kobo
Sepc :
Kozo & Cedar Bark / Hinoki Bark, 146.0x32.0cm, 29.7gsm
Made from Kozo and local cedar bark. Yoshino is famous for the forest industry historically. Mr Ue invented this paper using the local material. Looks very wild, it feels like in the forest.
YO-02A-003
Paper Name :
Sugikawa-shi Shoji (Wide)
District :
Yoshino
Artisan :
Ue Sadao of Ue Washi Kobo
Sepc :
Kozo & Cedar Bark / Hinoki Bark, 101.0x52.0cm, 34.5gsm
Made from Kozo and local cedar bark. Yoshino is famous for the forest industry historically. Mr Ue invented this paper using the local material. Looks very wild, it feels like in the forest.
YO-02A-004
Paper Name :
Sugikawa Byōbu paper
District :
Yoshino
Artisan :
Ue Sadao of Ue Washi Kobo
Sepc :
Kozo & Cedar Bark / Hinoki Bark, 146.0x46.0cm, 98.6gsm
Made from Kozo and local cedar bark. Yoshino is famous for the forest industry historically. Mr Ue invented this paper using the local material. Looks very wild, it feels like in the forest.
YO-02A-005
Paper Name :
Kurokawa Byōbu paper
District :
Yoshino
Artisan :
Ue Sadao of Ue Washi Kobo
Sepc :
Kozo, 146.0x46.0cm, 54.7gsm
Made from all barks of Kozo for room screen. The outer bark crusts are studded. Looks very wild and ancient paper.
YT-01K-001
Paper Name :
Momi gami (Crumpled paper) base paper
District :
Yatsuo
Artisan :
Keijusha
Sepc :
Kozo & Manila Hemp, 94.0x63.5cm, 67.4gsm
The step-1 base paper for the folklore pattern printed paper, using for like YT-01K-003. Made from Kozo 80% and Hemp 20%. This is raw paper before the crumpling process.
YT-01K-002
Paper Name :
Momi gami (Crumpled paper)
District :
Yatsuo
Artisan :
Keijusha
Sepc :
Kozo & Manila Hemp, 96.0x65.5cm, 106.1gsm
The step-2 base paper for the folklore pattern printed paper, using for like YT-01K-003. Made from Kozo 80% and Hemp 20%. This is raw paper after the crumpling process.
YT-01K-003
Paper Name :
Kazaguruma (Windmill)
District :
Yatsuo
Artisan :
Keijusha
Sepc :
Kozo & Manila Hemp, 92.5x62.5cm, 56.3gsm
The folklore pattern printed paper designed by Mr Serizawa Keisuke (1895-1984) who was the living national treasure. Used for various art and craft. There are many varieties of pattern, 115 kinds of 90x60cm size and 120 kinds of 60x45cm size.
YT-01K-004
Paper Name :
Mangekyou (Kaleidoscope) Blue
District :
Yatsuo
Artisan :
Keijusha
Sepc :
Kozo & Manila Hemp, 92.5x62.5cm, 91.0gsm
The folklore pattern printed paper designed by Mr Serizawa Keisuke (1895-1984) who was the living national treasure. Used for various art and craft. There are many varieties of pattern, 115 kinds of 90x60cm size and 120 kinds of 60x45cm size.
YT-01K-005
Paper Name :
Mangekyou (Kaleidoscope) Red
District :
Yatsuo
Artisan :
Keijusha
Sepc :
Kozo & Manila Hemp, 92.5x62.5cm, 92.4gsm
The folklore pattern printed paper designed by Mr Serizawa Keisuke (1895-1984) who was the living national treasure. Used for various art and craft. There are many varieties of pattern, 115 kinds of 90x60cm size and 120 kinds of 60x45cm size.
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