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DESCRIPTION
Paper Name :
Hon-Mino Shoji gami
District :
Mino
Artisan :
Sawamura Masashi
Sepc :
Kozo (Nasu), 98x64cm, 28.5gsm
The oldest active artisan's paper, Hon-Mino-shi (genuine Mino paper). This paper is used for paper screen door (Shoji) at the national treasure houses.
Paper Name :
Tengujo-shi (Mat mark)
District :
Mino
Artisan :
Ishihara Hidekazu
Sepc :
Kozo (Tosa), 98x64cm, 13gsm
Although the Tengujo-shi is known as Tosa paper at present, it was originally Mino paper. Mr Ishihara has been tackling to keep its tradition down the generations in Mino. This paper is almost the limit of thinness by handmade. The original Tengujo-shi is made with gauze screen to erase the mat mark, but this is made with just a bamboo screen.
Paper Name :
Momi gami (Crumpled paper)
District :
Mino
Artisan :
Ishihara Hidekazu
Sepc :
Kozo, 94x61.5cm, 29gsm
The crumpled paper, base paper for Kyosei-shi (Strengthen with Konjac). Dried in hanging. Required the skill to make it, not simply crumping.
Paper Name :
Tengujo-shi
District :
Mino
Artisan :
Ishihara Hidekazu
Sepc :
Kozo (Tosa), 96x60cm, 22.8gsm
Although the Tengujo-shi is known as Tosa paper at present, it was originally Mino paper. Mr Ishihara has been tackling to keep its tradition down the generations in Mino. This paper is almost the limit of thinness by handmade.
Paper Name :
Rakusui-shi (Water Drop paper) "Mura-shigure"
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98.0x63.0cm, 19.7gsm
The beautiful water drop paper. Used shower through the pattern mould. Available in many designs, traditional and modern. Ask details.
Paper Name :
Makomo 50% paper
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo & Zizania, 98x64cm, 51.2gsm
Very rare Zizania paper. Although it is not popular at present, it might be used in the history. Mr Senda tried to reproduce it. This is 50% Kozo mixed. 100% Zizania paper is also available.
Paper Name :
Makomo 100% paper
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Zizania, 98x63cm, 108.4gsm
Very rare Zizania 100% paper. Although it is not popular at present, it might be used in the history. Mr Senda tried to reproduce it. Kozo and Zizania 50/50% paper is also available.
Paper Name :
Miso Futa gami
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98x63cm, 33.3gsm
The unique pure organic paper, specially made for Miso barrel cover. Of course, usable for other purposes.
Paper Name :
Plant dyeing paper (Akane-Madder)
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98x64cm, 37.9gsm
The Akane (Madder) dyed paper. Madder is one of the popular as natural dye material in Japan historically. It is compared to sunset colour. The base paper is made from local Kozo 100%. Another natural dyed papers are available.
Paper Name :
Plant dyeing paper (Turmeric)
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98x64cm, 38.7gsm
The turmeric dyed paper, very rare. The base paper is made from local Kozo 100%. Another natural dyed papers are available.
Paper Name :
Plant dyeing paper (Ai=Indigo)
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98x64cm, 37.3gsm
The Ai (Indigo) dyed paper. Indigo is one of the major natural dye material in Japan history. The base paper is made from local Kozo 100%. Another natural dyed papers are available.
Paper Name :
Mino-Kozo Kinari 8 monme
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98x64cm, 48.4gsm
Made from local Kozo100%. The standard Shoji paper. Available in 11-45 gsm. Dried slowly on warm brass panel.
Paper Name :
Kozo paper Kinari 5.5 monme
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98x64cm, 33.6gsm
Made from local Kozo100%. The standard Shoji paper. Available in 11-45 gsm. Dried slowly on warm brass panel.
Paper Name :
Kurokawa-shi
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98x64cm, 63.2gsm
The Kozo outer bark crusts are studded. Very natural taste. Density of crusts can be changed. Made from local Kozo 100%.
Paper Name :
Colored fiber paper "SEN"
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98x64cm, 39.8gsm
Pre-dyed raw Kozo fibre by indigo and turmeric is contained. The base paper is made from local Kozo 100%. The detail design is arrangeable as per request.
Paper Name :
Rakusui-shi (Water Drop paper) "Hana-Asa"
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98.0x62.0cm, 15.2gsm
The beautiful water drop paper. Used shower through the pattern mould. Available in many designs, traditional and modern. Ask details.
Paper Name :
Rakusui-shi (Water Drop paper) "Uzumaki"
District :
Mino
Artisan :
Senda Takanori of Warabi Paper Company
Sepc :
Kozo, 98.0x62.0cm, 16.8gsm
The beautiful water drop paper. Used shower through the pattern mould. Available in many designs, traditional and modern. Ask details.
Paper Name :
Hakuuchi-shi (Gold-Leaf Beating paper)
District :
Najio
Artisan :
Baba Kazuhiko of Baba Seishisho
Sepc :
Gampi, 58x41cm, 23.7gsm
The gold-leaf beating paper, made from local Gampi and clay. This paper can endure millions time of hammer beating. And also, historically also used for the middle layer of the paper door, because it is opaque and high resistance against paper-worm.
Paper Name :
Najio Gampi-shi "Tokubo"
District :
Najio
Artisan :
Tanino Masanobu of Tanitoku Seishisho
Sepc :
Gampi, 59x41.5cm, 47.4gsm
Made from local Gampi and colour clay. It is opaque and high resistance against paper-worm. Although five colour was available originally, now four colours are line-up at this moment. One kind of colour clay can not be mined any more, because of highway construction.
Paper Name :
Najio Gampi-shi "Kabuta"
District :
Najio
Artisan :
Tanino Masanobu of Tanitoku Seishisho
Sepc :
Gampi, 59x41.5cm, 36.8gsm
Made from local Gampi and colour clay. It is opaque and high resistance against paper-worm. Although five colour was available originally, now four colours are line-up at this moment. One kind of colour clay can not be mined any more, because of highway construction.
Paper Name :
Najio Gampi-shi "Tamago"
District :
Najio
Artisan :
Tanino Masanobu of Tanitoku Seishisho
Sepc :
Gampi, 59x41.5cm, 43.9gsm
Made from local Gampi and colour clay. It is opaque and high resistance against paper-worm. Although five colour was available originally, now four colours are line-up at this moment. One kind of colour clay can not be mined any more, because of highway construction.
Paper Name :
Najio Gampi-shi "Tokubo / Tamago"
District :
Najio
Artisan :
Tanino Masanobu of Tanitoku Seishisho
Sepc :
Gampi, 59x41.5cm, 59.3gsm
Made from local Gampi and colour clay. It is opaque and high resistance against paper-worm. Although five colour was available originally, now four colours are line-up at this moment. One kind of colour clay can not be mined any more, because of highway construction.
Paper Name :
Hakuuchi-shi (Gold-Leaf Beating paper)
District :
Najio
Artisan :
Tanino Tokutaro of Tanitoku Seishisho
Sepc :
Gampi, 59x40cm, 35.6gsm
The gold-leaf beating paper, made from local Gampi and clay. This paper can endure millions time of hammer beating. This paper was made by Mr Tanino Tokutaro more than 50 years ago. Although he already passed away, some of the stock is still available.
Paper Name :
Hakuuchi-shi (Silver-Leaf Beating paper)
District :
Najio
Artisan :
Tanino Tokutaro of Tanitoku Seishisho
Sepc :
Gampi, 65x45cm, 49.7gsm
The silver-leaf beating paper, made from local Gampi and clay. This paper can endure millions time of hammer beating. This paper was made by Mr Tanino Tokutaro more than 50 years ago. Although he already passed away, some of the stock is still available.
Paper Name :
Reed paper
District :
Noto-Nigyō
Artisan :
Tōmi Kazuyuki of Noto-Nigyo Washi
Sepc :
Reed & Kozo, 99x62cm, 148.9gsm
Very rare reed paper. Made from local material. For fibre interlocking, small amount of Kozo is added.
Paper Name :
Unryū-shi
District :
Noto-Nigyō
Artisan :
Tōmi Kazuyuki of Noto-Nigyo Washi
Sepc :
Kozo & Cedar Bark, 99x62cm, 265.3gsm
Very dynamic cedar outer bark paper. Using non-processed local material. It almost looks like the tree itself. The level of wildness can be arranged.
Paper Name :
Kozo with Kieselguhr paper
District :
Noto-Nigyō
Artisan :
Tōmi Kazuyuki of Noto-Nigyo Washi
Sepc :
Kozo & Kieselguhr, 99x62cm, 154.9gsm
Very unique Kozo paper containing Kieselguhr powder. Noto peninsula is covered by the clay. So, there are various industries using this material, like making clay-stoves. It has a high moisture absorption effect.
Paper Name :
Sugikawa-shi (Light Color)
District :
Noto-Nigyō
Artisan :
Tōmi Kazuyuki of Noto-Nigyo Washi
Sepc :
Cedar Bark & Kozo, 99x62cm, 83.8gsm
Made from local cedar bark. For fibre interlocking, small amount of Kozo is added. Very natural atmosphere. The colour light to dark and various thickness are available.
Paper Name :
Sugikawa-shi (Medium Color)
District :
Noto-Nigyō
Artisan :
Tōmi Kazuyuki of Noto-Nigyo Washi
Sepc :
Cedar Bark & Kozo, 99x62cm, 78.5gsm
Made from local cedar bark. For fibre interlocking, small amount of Kozo is added. Very natural atmosphere. The colour light to dark and various thickness are available.
Paper Name :
Sugikawa-shi (Dark Color)
District :
Noto-Nigyō
Artisan :
Tōmi Kazuyuki of Noto-Nigyo Washi
Sepc :
Cedar Bark & Kozo, 99x62cm, 95.3gsm
Made from local cedar bark. For fibre interlocking, small amount of Kozo is added. Very natural atmosphere. The colour light to dark and various thickness are available.
Paper Name :
Kozo paper Medium (Miscanthus screen)
District :
Narushima
Artisan :
Aoki Kazunori of Narushima Japanese Paper Handcraft Center
Sepc :
Kozo, 95x61cm, 47.7gsm
The Northern-End Washi in Japan. Made from all own cultivating material Kozo and rare wild Noriutsugi. The colour is slightly brownish. The Miscanthus screen mat gives beautiful narrow stripes. Available in 18-37 gsm.
Paper Name :
Kozo paper Medium (Bamboo screen)
District :
Narushima
Artisan :
Aoki Kazunori of Narushima Japanese Paper Handcraft Center
Sepc :
Kozo, 95.0x61.0cm, 41.5gsm
The Northern-End Washi in Japan. Made from all own cultivating material Kozo and rare wild Noriutsugi. The colour is slightly brownish. Available in 18-37 gsm.
Paper Name :
Kozo paper Thick (Miscanthus screen)
District :
Narushima
Artisan :
Aoki Kazunori of Narushima Japanese Paper Handcraft Center
Sepc :
Kozo, 95x61cm, 65.4gsm
The Northern-End Washi in Japan. Made from all own cultivating material Kozo and rare wild Noriutsugi. The colour is slightly brownish. The Miscanthus screen mat gives beautiful narrow stripes. Available in 18-37 gsm.
Paper Name :
Nishinouchi-ban unbleached on Board Dry Double
District :
Nishinouchi
Artisan :
Kikuchi Daisuke of Kami no Sato
Sepc :
Kozo (Nasu), 53.5x38cm, 84.7gsm
Made from their own farming high-quality Nasu Kozo100%. Double layered paper. Made in winter season only. Dried on ginkgo board in sunshine.
Paper Name :
Nishinouchi Gasen-shi unbleached Double layer
District :
Nishinouchi
Artisan :
Kikuchi Daisuke of Kami no Sato
Sepc :
Kozo (Nasu) & Pulp, 105x72.5cm, 101.5gsm
Made from their own farming high-quality Nasu Kozo 90%, plus Canadian pulp 10%. Double layered paper. Available in double-triple layered.
Paper Name :
Nishinouchi Gasen-shi unbleached Triple layer
District :
Nishinouchi
Artisan :
Kikuchi Daisuke of Kami no Sato
Sepc :
Kozo (Nasu) & Pulp, 105x72.5cm, 124.0gsm
Made from their own farming high-quality Nasu Kozo 90%, plus Canadian pulp 10%. Triple layered paper. Available in double-triple layered.
Paper Name :
Kyōsei-shi
District :
Nishinouchi
Artisan :
Kikuchi Daisuke of Kami no Sato
Sepc :
Kozo (Nasu), 70x70cm, 69.1gsm
The strengthened paper with konjac. Very strong. In history, it was used for harvest sac, farmer's clothes and various others. It is washable.
Paper Name :
Persimmon Tannin paper
District :
Nishinouchi
Artisan :
Kikuchi Daisuke of Kami no Sato
Sepc :
Kozo (Nasu), 88x57.5cm, 63.5gsm
The 100% own farming Nasu-Kozo paper with Persimmon Tannin. This is a traditional method for strengthening and anti-bookworm. The colour is dark brown.
Paper Name :
Nishinouchi Zen-shi unbleached thin
District :
Nishinouchi
Artisan :
Kikuchi Hiroshi of Gosuke Washi
Sepc :
Kozo (Nasu), 160x77.5cm, 21.5gsm
The big paper for Japanese traditional painting. For sensitive requirements, Available in from thin to very thick, doubled and tripled.
Paper Name :
Nishinouchi Zen-shi unbleached very thick
District :
Nishinouchi
Artisan :
Kikuchi Hiroshi of Gosuke Washi
Sepc :
Kozo (Nasu), 160x77.5cm, 32.2gsm
The big paper for Japanese traditional painting. For sensitive requirements, Available in from thin to very thick, doubled and tripled.
Paper Name :
Nishinouchi Zen-shi unbleached Double layer
District :
Nishinouchi
Artisan :
Kikuchi Hiroshi of Gosuke Washi
Sepc :
Kozo (Nasu), 160x77.5cm, 38.3gsm
The big paper for Japanese traditional painting. For sensitive requirements, Available in from thin to thick, doubled and tripled.
Paper Name :
Nishinouchi Zen-shi unbleached Triple layer
District :
Nishinouchi
Artisan :
Kikuchi Hiroshi of Gosuke Washi
Sepc :
Kozo (Nasu), 160x77.5cm, 41.9gsm
The big paper for Japanese traditional painting. For sensitive requirements, Available in from thin to thick, doubled and tripled.
Paper Name :
Organic paper
District :
Nanayama
Artisan :
Maeda Takaharu of Kamizuki Shikoushitsu
Sepc :
Kozo, 94x64cm, 35.8gsm
The pure organic paper, specially made for food wrapping. Made from Tosa (Kochi) Kozo 100%.
Paper Name :
Sashido gami
District :
Nanayama
Artisan :
Maeda Takaharu of Kamizuki Shikoushitsu
Sepc :
Kozo, 94x64cm, 69.0gsm
The design paper with porcelain clay powder pouring. Karatsu, nearby Nanayama, is one of the biggest porcelain town in Japan. Mr Maeda reuse the waste clay for the paper. The design can be seen well through the lights.
Paper Name :
Oguni paper (thick)
District :
Oguni
Artisan :
Imai Hiroaki of Oguni Washi Seisan Kumiai
Sepc :
Kozo, 39.5x28.5cm, 38.3gsm
Made from all own cultivating material Kozo. They are located in heavy snow village. Snow bleaching and Sun-drying gives natural whiteness. Available in different thickness 11-37 gsm and double-layered 52 gsm.
Paper Name :
Kozo paper snow bleached 3 monme
District :
Oguni
Artisan :
Imai Hiroaki of Oguni Washi Seisan Kumiai
Sepc :
Kozo, 39.5x28.5cm, 38.3gsm
Made from all own cultivating material Kozo. They are located in heavy snow village. Snow bleaching and Sun-drying gives natural whiteness. Available in different thickness 11-37 gsm and double-layered 52 gsm.
Paper Name :
Hosokawa-shi 4 monme
District :
Ogawa
Artisan :
Kubo Seiichi of Kubo Seishisho
Sepc :
Kozo (Tosa), 94.0x63.0cm, 27.7gsm
The paper designated as the UNESCO Intangible Cultural Heritage. Made from Tosa Kozo 100%, but it is slowly changing to use local farming Kozo again. It is made only in a cold winter season. Very standard Kozo paper for multi-purpose. Available in 15-30 gsm.
Paper Name :
Hosokawa-shi 5 monme
District :
Ogawa
Artisan :
Kubo Seiichi of Kubo Seishisho
Sepc :
Kozo (Tosa), 94.0x63.0cm, 31.1gsm
The paper designated as the UNESCO Intangible Cultural Heritage. Made from Tosa Kozo 100%, but it is slowly changing to use local farming Kozo again. It is made only in a cold winter season. Very standard Kozo paper for multi-purpose. Available in 15-30 gsm.
Paper Name :
Hosokawa-shi 6 monme
District :
Ogawa
Artisan :
Kubo Seiichi of Kubo Seishisho
Sepc :
Kozo (Tosa), 94.0x63.0cm, 41.5gsm
The paper designated as the UNESCO Intangible Cultural Heritage. Made from Tosa Kozo 100%, but it is slowly changing to use local farming Kozo again. It is made only in a cold winter season. Very standard Kozo paper for multi-purpose. Available in 15-30 gsm.
Paper Name :
Hosokawa-shi thin
District :
Ogawa
Artisan :
Negishi Mitsukazu of Negishi Seishisho
Sepc :
Kozo (Tosa), 93.5x63.4cm, 28.7gsm
The paper designated as the UNESCO Intangible Cultural Heritage. Made from Tosa Kozo 100%, but it is slowly changing to use local farming Kozo again. It is made only in a cold winter season. Very standard Kozo paper for multi-purpose. Available in thin to thick based on the requirement.
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