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DESCRIPTION
AT-01A-001
Paper Name :
Kozo paper Medium
District :
Awaji Tsuna
Artisan :
Okuda Yoshiharu of Washi Kobo "Sho-roku"
Sepc :
Kozo (Wild), 53.5x40.5cm, 58.6gsm
The wild Kozo paper. Mr Okuda uses wild Kozo and own farming Tororoaoi, 100% of materials come from his workshop neighbourhood. Available from thin to thick as per requirement.
AT-01A-002
Paper Name :
Kozo paper Thin
District :
Awaji Tsuna
Artisan :
Okuda Yoshiharu of Washi Kobo "Sho-roku"
Sepc :
Kozo (Wild), 53.5x40.5cm, 42.0gsm
The wild Kozo paper. Mr Okuda uses wild Kozo and own farming Tororoaoi, 100% of materials come from his workshop neighbourhood. Available from thin to thick as per requirement.
AT-01A-003
Paper Name :
Kozo paper Calendula mix, Onion Dye
District :
Awaji Tsuna
Artisan :
Okuda Yoshiharu of Washi Kobo "Sho-roku"
Sepc :
Kozo (Wild), 53.5x40.5cm, 43.5gsm
The dyed paper by onion. Awaji is famous as onion production island. Mr Okuda uses it for local wild Kozo grows around his workshop. Calendula (Pot Marigold) petals are studded, paper colour is naturally wheat.
AT-01A-004
Paper Name :
Kozo paper Calendula mix
District :
Awaji Tsuna
Artisan :
Okuda Yoshiharu of Washi Kobo "Sho-roku"
Sepc :
Kozo (Wild), 53.5x40.5cm, 49.9gsm
The Kozo paper with Calendula (Pot Marigold) petals. Mr Okuda uses wild Kozo grows around his workshop. Yellow petals are studded, paper colour is naturally cornsilk white.
AT-01A-005
Paper Name :
Kozo paper Onion mix
District :
Awaji Tsuna
Artisan :
Okuda Yoshiharu of Washi Kobo "Sho-roku"
Sepc :
Kozo (Wild), 53.5x40.5cm, 43.6gsm
The dyed paper by onion. Awaji is famous as onion production island. Mr Okuda uses it for local wild Kozo grows around his workshop. Onion husks are studded, colour is naturally light brown.
AT-01A-006
Paper Name :
Kozo paper Eucalyptus Dye
District :
Awaji Tsuna
Artisan :
Okuda Yoshiharu of Washi Kobo "Sho-roku"
Sepc :
Kozo (Wild), 53.5x40.5cm, 39.4gsm
The dyed paper by local Eucalyptus Leaf and Branch. Made from wild Kozo which grows around his workshop. The colour is naturally beautiful wheat.
AT-01A-007
Paper Name :
Kozo paper Onion Dye
District :
Awaji Tsuna
Artisan :
Okuda Yoshiharu of Washi Kobo "Sho-roku"
Sepc :
Kozo (Wild), 53.5x40.5cm, 57.3gsm
The dyed paper by onion. Awaji is famous as onion production island. Mr Okuda uses it for local wild Kozo grows around his workshop. The colour is naturally light brown.
Consulting Service
Paper Name :
District :
Artisan :
Sepc :
EZ-01A-002
Paper Name :
Echizen Kizuki Hosho (medium)
District :
Echizen
Artisan :
Iwano Ichibei
Sepc :
Kozo (Nasu), 55x44cm, 71.9gsm
This is one of the most famous Washi, historically used by the highest class people for an official document. Mr Iwano Ichibei, who is the living national treasure, makes this paper. His extremely careful speck removal gives natural beautiful whiteness.
EZ-07A-003
Paper Name :
Tennen-shi (Natural paper) Letter paper
District :
Echizen
Artisan :
Osada Kazuya of Osada Seishisho
Sepc :
Kozo, 26.5x19cm, 83.3gsm
The genuine natural paper. The artisan Mr Osada Kazuya makes this paper using purely traditional method as his life-work. It reminds us how was the ancient paper. The method can be available in for various papers.
GK-01A-001
Paper Name :
Yukyu-shi 3 monme
District :
Gokayama
Artisan :
Miyamoto Tomonobu of Higashinakae Washi Kako Seisan Kumiai
Sepc :
Kozo, 93.5x63cm, 18.7gsm
Made from all own cultivating material Kozo and Tororoaoi. They are located in heavy snow village. Snow bleaching and Sun-drying gives natural whiteness. Speck Removal is done on-board carefully because to keep the narrow and small fibre. Varies paper, different thickness 11-37 gsm and dried on the warm brass panel are also available.
GK-01A-002
Paper Name :
Yukyu-shi 7 monme
District :
Gokayama
Artisan :
Miyamoto Tomonobu of Higashinakae Washi Kako Seisan Kumiai
Sepc :
Kozo, 93.5x63cm, 45.3gsm
Made from all own cultivating material Kozo and Tororoaoi. They are located in heavy snow village. Snow bleaching and Sun-drying gives natural whiteness. Speck Removal is done on-board carefully because to keep the narrow and small fibre. Varies paper, different thickness 11-37 gsm and dried on the warm brass panel are also available.
GK-01A-003
Paper Name :
Yukyu-shi 10 monme
District :
Gokayama
Artisan :
Miyamoto Tomonobu of Higashinakae Washi Kako Seisan Kumiai
Sepc :
Kozo, 93.5x63cm, 61.4gsm
Made from all own cultivating material Kozo and Tororoaoi. They are located in heavy snow village. Snow bleaching and Sun-drying gives natural whiteness. Speck Removal is done on-board carefully because to keep the narrow and small fibre. Varies paper, different thickness 11-37 gsm and dried on the warm brass panel are also available.
GK-01A-004
Paper Name :
Yukyu-shi 3 monme
District :
Gokayama
Artisan :
Miyamoto Tomonobu of Higashinakae Washi Kako Seisan Kumiai
Sepc :
Kozo, 94x62.5cm, 19.9gsm
Made from all own cultivating material Kozo and Tororoaoi. They are located in heavy snow village. Snow bleaching gives natural whiteness. Speck Removal is done on-board carefully because to keep the narrow and small fibre. Varies paper, different thickness 11-37 gsm and dried on wooden board in Sunshine are also available.
GK-30K-001
Paper Name :
Kozo-Mitsumata paper 3 monme
District :
Gokayama
Artisan :
Higashi Hideyuki of Gokayama "Washi no Sato"
Sepc :
Kozo & Mitsumata, 94x64cm, 19gsm
The rare mixed paper, Kozo and Mitsumata. Long fibre of Kozo and short fibre of Mitsumata interlocks tightly for strengthen. Available in 7.5 -37.5 gsm.
GK-30K-002
Paper Name :
Kozo-Mitsumata paper 5 monme
District :
Gokayama
Artisan :
Higashi Hideyuki of Gokayama "Washi no Sato"
Sepc :
Kozo & Mitsumata, 94x64cm, 31.8gsm
The rare mixed paper, Kozo and Mitsumata. Long fibre of Kozo and short fibre of Mitsumata interlocks tightly for strengthen. Available in 7.5 -37.5 gsm.
GK-30K-003
Paper Name :
Kozo-Mitsumata paper 8.5 monme
District :
Gokayama
Artisan :
Higashi Hideyuki of Gokayama "Washi no Sato"
Sepc :
Kozo & Mitsumata, 94x64cm, 52.7gsm
The rare mixed paper, Kozo and Mitsumata. Long fibre of Kozo and short fibre of Mitsumata interlocks tightly for strengthen. Available in 7.5 -37.5 gsm.
GS-01A-001
Paper Name :
Kiku-ban unbleached 3 monme
District :
Gassan
Artisan :
Miura Kazuyuki of Oizawa Kobo "Sanpo"
Sepc :
Kozo (Tosa), 94x63cm, 18.9gsm
Made from high-quality Tosa Kozo100%. Available in 13-52 gsm. Popular among Japanese paint artists.
GS-01A-002
Paper Name :
Kiku-ban unbleached 5 monme
District :
Gassan
Artisan :
Miura Kazuyuki of Oizawa Kobo "Sanpo"
Sepc :
Kozo (Tosa), 94x63cm, 31.5gsm
Made from high-quality Tosa Kozo100%. Available in 13-52 gsm. Popular among Japanese paint artists.
GS-01A-003
Paper Name :
Kiku-ban unbleached 7 monme
District :
Gassan
Artisan :
Miura Kazuyuki of Oizawa Kobo "Sanpo"
Sepc :
Kozo (Tosa), 94x64cm, 46.2gsm
Made from high-quality Tosa Kozo100%. Available in 13-52 gsm. Popular among Japanese paint artists.
GS-01A-004
Paper Name :
Kiku-ban unbleached 14 monme
District :
Gassan
Artisan :
Miura Kazuyuki of Oizawa Kobo "Sanpo"
Sepc :
Kozo (Tosa), 94x65cm, 80.9gsm
Made from high-quality Tosa Kozo100%. Available in 13-52 gsm. Popular among Japanese paint artists.
GS-01A-005
Paper Name :
Gassan-ban unbleached, on Board Dry
District :
Gassan
Artisan :
Miura Kazuyuki of Oizawa Kobo "Sanpo"
Sepc :
Kozo, 77x30cm, 29.1gsm
Made from local Kozo100%. Made in winter season only. The standard Shoji paper.
GS-01A-006
Paper Name :
Gassan-ban unbleached, on Board Dry (Benihana)
District :
Gassan
Artisan :
Miura Kazuyuki of Oizawa Kobo "Sanpo"
Sepc :
Kozo, 77x30cm, 37.5gsm
The Kozo paper with Benihana petals, which is Yamagata prefecture's flower. Red petals are studded, colour is natural linen white.
GS-01A-007
Paper Name :
Persimmon Tannin Dye, Half (6 monme unbleached)
District :
Gassan
Artisan :
Miura Kazuyuki of Oizawa Kobo "Sanpo"
Sepc :
Kozo (Tosa), 63x47cm, 35.4gsm
The Kozo paper with Persimmon Tannin. This is a traditional method for strengthening and anti-bookworm. The colour is dark brown.
HK-01A-001
Paper Name :
Kozo paper 2x3
District :
Hiikawa
Artisan :
Itani Shinji of Hiikawa-Washi
Sepc :
Kozo, 99x62cm, 45.5gsm
Made from their own farming Kozo100%. Slightly darker than HK-01A-002 using pure inner bark.
HK-01A-002
Paper Name :
Shoji paper
District :
Hiikawa
Artisan :
Itani Shinji of Hiikawa-Washi
Sepc :
Kozo, 99x62cm, 73.2gsm
Made from their own farming Kozo100%. Using pure inner bark, so slightly whiter than HK-01A-001. The standard Shoji paper.
HK-01A-003
Paper Name :
Bengala Dye paper
District :
Hiikawa
Artisan :
Itani Shinji of Hiikawa-Washi
Sepc :
Kozo, Gampi & Mitsumata, 99x62cm, 48.8gsm
The Bengala (red iron oxide) dyed paper. Made from Gampi, Kozo and Mitsumata mixed. Bengala dye has been used to paint shrine construction in the Japan history. It is rare to use for papers.
HK-01A-005
Paper Name :
Lotus Dye paper
District :
Hiikawa
Artisan :
Itani Shinji of Hiikawa-Washi
Sepc :
Kozo, Gampi & Mitsumata, 99x62cm, 46.1gsm
The dyed paper by local Lotus, very rare, mysterious grey colour. Made from Gampi, Kozo and Mitsumata mixed.
HK-01A-006
Paper Name :
Gampi paper
District :
Hiikawa
Artisan :
Itani Shinji of Hiikawa-Washi
Sepc :
Gampi, 100x59cm, 16.4gsm
The rare Gampi paper, made from Japan domestic (Wakayama) material. It has typical characteristics of Gampi paper, thin, strong and shiny.
HK-01A-007
Paper Name :
Gampi & Kozo mix paper
District :
Hiikawa
Artisan :
Itani Shinji of Hiikawa-Washi
Sepc :
Gampi & Kozo, 100x57cm, 21.7gsm
Very rare Gampi and Kozo mixed paper. Gampi's thin and short fibre is fulfilling the gaps of Kozo fibres. Even using Gampi, the colour is slightly white.
HK-01A-008
Paper Name :
On board drying paper
District :
Hiikawa
Artisan :
Itani Shinji of Hiikawa-Washi
Sepc :
Kozo, Gampi & Mitsumata, 95x28cm, 108.4gsm
The Kozo, Gampi and Mitsumata mixed paper, dried on the 100 years old board in the sunshine. On the surface, the wood annual ring appears like emboss. Very unique and attractive paper.
HS-01A-001
Paper Name :
Mitsumata paper 7 monme
District :
Hirose
Artisan :
Nagashima Isao of Hirose Washi Kobo
Sepc :
Mitsumata, 100.5x63.5cm, 47.6gsm
The Mitsumata paper made by Mitsumata specialist Mr Nagashima. Available in thickness is 15-37.5 gsm.
IM-01A-001
Paper Name :
Izumo Cloud paper
District :
Izumo Mingei
Artisan :
Abe Shinichiro of Izumo Mingeishi Kobo
Sepc :
Mitsumata, 101x62cm, 64.1gsm
As a part of Mingei (Folk-Art) movement, invented by the living national treasure Mr Abe Eishiro. Made from Mitsumata. The making method is patented. His family keep making this paper.
IM-01A-002
Paper Name :
Mitsumata paper (Bengala)
District :
Izumo Mingei
Artisan :
Abe Shinichiro of Izumo Mingeishi Kobo
Sepc :
Mitsumata, 101x62cm, 54.3gsm
The Bengala (red iron oxide) dyed Mitsumata paper. Bengala dye has been used to paint shrine construction in the Japan history. It is rare to use for papers. This workshop provides various dye papers.
IM-01A-003
Paper Name :
Mitsumata paper (Yuen)
District :
Izumo Mingei
Artisan :
Abe Shinichiro of Izumo Mingeishi Kobo
Sepc :
Mitsumata, 101x62cm, 51gsm
The Yuen (Oil Smoke) dyed Mitsumata paper. The Japanese traditional ink "Sumi" is also a kind of oil smoke. It is rare to use for papers. This workshop provides various dye papers.
IM-01A-004
Paper Name :
Gampi paper (thick) "Mabase-ban" (thin)
District :
Izumo Mingei
Artisan :
Abe Shinichiro of Izumo Mingeishi Kobo
Sepc :
Gampi, 135x42cm, 31.3gsm
This paper was the trigger paper of the Mingei (Folk-Art) movement of Washi in 1931, led by Mr Bernard Howell Leach. It has an old atmosphere and characteristics. Colour is natural yellowish of Gampi.
IM-01A-005
Paper Name :
Gampi paper (thick) "Mabase-ban" (thick)
District :
Izumo Mingei
Artisan :
Abe Shinichiro of Izumo Mingeishi Kobo
Sepc :
Gampi, 135x42cm, 77.4gsm
This paper was the trigger paper of the Mingei (Folk-Art) movement of Washi in 1931, led by Mr Bernard Howell Leach. It has an old atmosphere and characteristics. Colour is natural yellowish of Gampi.
IM-01A-006
Paper Name :
Mitsumata paper (thin)
District :
Izumo Mingei
Artisan :
Abe Shinichiro of Izumo Mingeishi Kobo
Sepc :
Mitsumata, 100x60cm, 39.4gsm
Made from Tosa(Kochi) Mitsumata 100%. It has typical characteristics of Mitsumata paper, strong, crisp and shiny. Available in various thickness.
IM-01A-007
Paper Name :
Mitsumata paper (standard)
District :
Izumo Mingei
Artisan :
Abe Shinichiro of Izumo Mingeishi Kobo
Sepc :
Mitsumata, 101x62cm, 49.9gsm
Made from Tosa(Kochi) Mitsumata 100%. It has typical characteristics of Mitsumata paper, strong, crisp and shiny. Available in various thickness.
IY-01A-001
Paper Name :
Gampi-shirousu-shi
District :
Iyo
Artisan :
Uda Hideyuki of Uda Takeo Seishisho
Sepc :
Gampi, 98x54cm, 8.7gsm
Very thin Gampi paper. His natural indoor drying on metal board gives a smooth surface on the paper.
IY-02A-001
Paper Name :
Kawanoe-hanshi Standard
District :
Iyo
Artisan :
Fujiwara Shunji
Sepc :
Coniferous Tree Pulp & Manila Hemp, 34x25cm, 32.1gsm
The standard brush writing paper (Shodo Banshi), made from coniferous tree pulp. Three thickness option is available in, 2.3-3.0kg/1000 sheets.
IY-02A-002
Paper Name :
Kawanoe-hanshi thin
District :
Iyo
Artisan :
Fujiwara Shunji
Sepc :
Coniferous Tree Pulp & Manila Hemp, 34x25cm, 27.6gsm
The standard brush writing paper (Shodo Banshi), made from coniferous tree pulp. Three thickness option is available in, 2.3-3.0kg/1000 sheets.
IY-02A-003
Paper Name :
Kawanoe-hanshi thick
District :
Iyo
Artisan :
Fujiwara Shunji of 0
Sepc :
Coniferous Tree Pulp & Manila Hemp, 34x25cm, 31.5gsm
The standard brush writing paper (Shodo Banshi), made from coniferous tree pulp. Three thickness option is available in, 2.3-3.0kg/1000 sheets.
IY-02A-004
Paper Name :
Kawanoe-hanshi Kinshi
District :
Iyo
Artisan :
Fujiwara Shunji
Sepc :
Coniferous Tree Pulp & Manila Hemp, 34x25cm, 31.2gsm
The standard brush writing paper (Shodo Banshi), made from coniferous tree pulp. This is the higher-level version, specially named "Golden Eagle".
IY-02A-005
Paper Name :
Kawanoe-hanshi unbleached
District :
Iyo
Artisan :
Fujiwara Shunji of 0
Sepc :
Coniferous Tree Pulp & Manila Hemp, 34x25cm, 26.6gsm
The standard brush writing paper (Shodo Banshi), made from coniferous tree pulp, non-bleached version.
KD-01A-001
Paper Name :
Mino-ban Kozo paper 3 monme (Kyoma)
District :
Echigo-Kadoide
Artisan :
Kobayashi Yasuo of Koshi no Kigami Kobo
Sepc :
Kozo, 98x65cm, 20.2gsm
The purely traditional paper. Made from their own farming Kozo100%. Made in winter season only. Cooked in wood ash. Snow bleaching. Dried on Cedar board in the sunshine. The very soft and fluffy paper.
KD-01A-002
Paper Name :
Gasen-shi Han-setsu, 4 monme
District :
Echigo-Kadoide
Artisan :
Kobayashi Yasuo of Koshi no Kigami Kobo
Sepc :
Kozo, 134x34cm, 21.2gsm
Made from their own farming Kozo100%. Made in winter season only. Wash in river. Available in 11-26 gsm, and 111x42cm size (Yuki-Tsubaki = Snow camellia).
KD-01A-003
Paper Name :
Kiku-ban 6.5 monme, Hon-Ai
District :
Echigo-Kadoide
Artisan :
Kobayashi Yasuo of Koshi no Kigami Kobo
Sepc :
Kozo, 93x63cm, 36.9gsm
The Ai (Indigo) dyed paper. Indigo is one of the major natural dye material in Japan history. The base paper is made from own Kozo 100%, very soft and fluffy.
KD-01A-004
Paper Name :
Fuwata Hanshi
District :
Echigo-Kadoide
Artisan :
Kobayashi Yasuo of Koshi no Kigami Kobo
Sepc :
Kozo, 33x24cm, 23.6gsm
The purely traditional paper. Made from their own farming Kozo100%. Made in winter season only. Cooked in wood ash. Wash in river. Dried on Cedar board in the sunshine. The very soft and fluffy paper.
KG-01K-001
Paper Name :
Kaga Gampi-shi
District :
Kaga Gampi
Artisan :
Workshop Member of Kato Washi
Sepc :
Gampi, 57x42.5cm, 22.2gsm
The historic paper for Gold-leaf beating, made in more than 30 years ago. Very few dead-stocks are available. We hope, they will restart production.
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