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Paper Name : Hon-Mino Shoji gami District : Mino Artisan : Sawamura Masashi Sepc : Kozo (Nasu), 98x64cm, 28.5gsm The oldest active artisan's paper, Hon-Mino-shi (genuine Mino paper). This paper is used for paper screen door (Shoji) at the national treasure houses. |
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Paper Name : Tengujo-shi (Mat mark) District : Mino Artisan : Ishihara Hidekazu Sepc : Kozo (Tosa), 98x64cm, 13gsm Although the Tengujo-shi is known as Tosa paper at present, it was originally Mino paper. Mr Ishihara has been tackling to keep its tradition down the generations in Mino. This paper is almost the limit of thinness by handmade. The original Tengujo-shi is made with gauze screen to erase the mat mark, but this is made with just a bamboo screen. |
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Paper Name : Momi gami (Crumpled paper) District : Mino Artisan : Ishihara Hidekazu Sepc : Kozo, 94x61.5cm, 29gsm The crumpled paper, base paper for Kyosei-shi (Strengthen with Konjac). Dried in hanging. Required the skill to make it, not simply crumping. |
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Paper Name : Tengujo-shi District : Mino Artisan : Ishihara Hidekazu Sepc : Kozo (Tosa), 96x60cm, 22.8gsm Although the Tengujo-shi is known as Tosa paper at present, it was originally Mino paper. Mr Ishihara has been tackling to keep its tradition down the generations in Mino. This paper is almost the limit of thinness by handmade. |
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Paper Name : Rakusui-shi (Water Drop paper) "Mura-shigure" District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98.0x63.0cm, 19.7gsm The beautiful water drop paper. Used shower through the pattern mould. Available in many designs, traditional and modern. Ask details. |
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Paper Name : Makomo 50% paper District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo & Zizania, 98x64cm, 51.2gsm Very rare Zizania paper. Although it is not popular at present, it might be used in the history. Mr Senda tried to reproduce it. This is 50% Kozo mixed. 100% Zizania paper is also available. |
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Paper Name : Makomo 100% paper District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Zizania, 98x63cm, 108.4gsm Very rare Zizania 100% paper. Although it is not popular at present, it might be used in the history. Mr Senda tried to reproduce it. Kozo and Zizania 50/50% paper is also available. |
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Paper Name : Miso Futa gami District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98x63cm, 33.3gsm The unique pure organic paper, specially made for Miso barrel cover. Of course, usable for other purposes. |
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Paper Name : Plant dyeing paper (Akane-Madder) District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98x64cm, 37.9gsm The Akane (Madder) dyed paper. Madder is one of the popular as natural dye material in Japan historically. It is compared to sunset colour. The base paper is made from local Kozo 100%. Another natural dyed papers are available. |
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Paper Name : Plant dyeing paper (Turmeric) District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98x64cm, 38.7gsm The turmeric dyed paper, very rare. The base paper is made from local Kozo 100%. Another natural dyed papers are available. |
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Paper Name : Plant dyeing paper (Ai=Indigo) District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98x64cm, 37.3gsm The Ai (Indigo) dyed paper. Indigo is one of the major natural dye material in Japan history. The base paper is made from local Kozo 100%. Another natural dyed papers are available. |
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Paper Name : Mino-Kozo Kinari 8 monme District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98x64cm, 48.4gsm Made from local Kozo100%. The standard Shoji paper. Available in 11-45 gsm. Dried slowly on warm brass panel. |
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Paper Name : Kozo paper Kinari 5.5 monme District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98x64cm, 33.6gsm Made from local Kozo100%. The standard Shoji paper. Available in 11-45 gsm. Dried slowly on warm brass panel. |
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Paper Name : Kurokawa-shi District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98x64cm, 63.2gsm The Kozo outer bark crusts are studded. Very natural taste. Density of crusts can be changed. Made from local Kozo 100%. |
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Paper Name : Colored fiber paper "SEN" District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98x64cm, 39.8gsm Pre-dyed raw Kozo fibre by indigo and turmeric is contained. The base paper is made from local Kozo 100%. The detail design is arrangeable as per request. |
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Paper Name : Rakusui-shi (Water Drop paper) "Hana-Asa" District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98.0x62.0cm, 15.2gsm The beautiful water drop paper. Used shower through the pattern mould. Available in many designs, traditional and modern. Ask details. |
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Paper Name : Rakusui-shi (Water Drop paper) "Uzumaki" District : Mino Artisan : Senda Takanori of Warabi Paper Company Sepc : Kozo, 98.0x62.0cm, 16.8gsm The beautiful water drop paper. Used shower through the pattern mould. Available in many designs, traditional and modern. Ask details. |
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Paper Name : Hakuuchi-shi (Gold-Leaf Beating paper) District : Najio Artisan : Baba Kazuhiko of Baba Seishisho Sepc : Gampi, 58x41cm, 23.7gsm The gold-leaf beating paper, made from local Gampi and clay. This paper can endure millions time of hammer beating. And also, historically also used for the middle layer of the paper door, because it is opaque and high resistance against paper-worm. |
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Paper Name : Najio Gampi-shi "Tokubo" District : Najio Artisan : Tanino Masanobu of Tanitoku Seishisho Sepc : Gampi, 59x41.5cm, 47.4gsm Made from local Gampi and colour clay. It is opaque and high resistance against paper-worm. Although five colour was available originally, now four colours are line-up at this moment. One kind of colour clay can not be mined any more, because of highway construction. |
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Paper Name : Najio Gampi-shi "Kabuta" District : Najio Artisan : Tanino Masanobu of Tanitoku Seishisho Sepc : Gampi, 59x41.5cm, 36.8gsm Made from local Gampi and colour clay. It is opaque and high resistance against paper-worm. Although five colour was available originally, now four colours are line-up at this moment. One kind of colour clay can not be mined any more, because of highway construction. |
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Paper Name : Najio Gampi-shi "Tamago" District : Najio Artisan : Tanino Masanobu of Tanitoku Seishisho Sepc : Gampi, 59x41.5cm, 43.9gsm Made from local Gampi and colour clay. It is opaque and high resistance against paper-worm. Although five colour was available originally, now four colours are line-up at this moment. One kind of colour clay can not be mined any more, because of highway construction. |
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Paper Name : Najio Gampi-shi "Tokubo / Tamago" District : Najio Artisan : Tanino Masanobu of Tanitoku Seishisho Sepc : Gampi, 59x41.5cm, 59.3gsm Made from local Gampi and colour clay. It is opaque and high resistance against paper-worm. Although five colour was available originally, now four colours are line-up at this moment. One kind of colour clay can not be mined any more, because of highway construction. |
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Paper Name : Hakuuchi-shi (Gold-Leaf Beating paper) District : Najio Artisan : Tanino Tokutaro of Tanitoku Seishisho Sepc : Gampi, 59x40cm, 35.6gsm The gold-leaf beating paper, made from local Gampi and clay. This paper can endure millions time of hammer beating. This paper was made by Mr Tanino Tokutaro more than 50 years ago. Although he already passed away, some of the stock is still available. |
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Paper Name : Hakuuchi-shi (Silver-Leaf Beating paper) District : Najio Artisan : Tanino Tokutaro of Tanitoku Seishisho Sepc : Gampi, 65x45cm, 49.7gsm The silver-leaf beating paper, made from local Gampi and clay. This paper can endure millions time of hammer beating. This paper was made by Mr Tanino Tokutaro more than 50 years ago. Although he already passed away, some of the stock is still available. |
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Paper Name : Reed paper District : Noto-Nigyō Artisan : Tōmi Kazuyuki of Noto-Nigyo Washi Sepc : Reed & Kozo, 99x62cm, 148.9gsm Very rare reed paper. Made from local material. For fibre interlocking, small amount of Kozo is added. |
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Paper Name : Unryū-shi District : Noto-Nigyō Artisan : Tōmi Kazuyuki of Noto-Nigyo Washi Sepc : Kozo & Cedar Bark, 99x62cm, 265.3gsm Very dynamic cedar outer bark paper. Using non-processed local material. It almost looks like the tree itself. The level of wildness can be arranged. |
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Paper Name : Kozo with Kieselguhr paper District : Noto-Nigyō Artisan : Tōmi Kazuyuki of Noto-Nigyo Washi Sepc : Kozo & Kieselguhr, 99x62cm, 154.9gsm Very unique Kozo paper containing Kieselguhr powder. Noto peninsula is covered by the clay. So, there are various industries using this material, like making clay-stoves. It has a high moisture absorption effect. |
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Paper Name : Sugikawa-shi (Light Color) District : Noto-Nigyō Artisan : Tōmi Kazuyuki of Noto-Nigyo Washi Sepc : Cedar Bark & Kozo, 99x62cm, 83.8gsm Made from local cedar bark. For fibre interlocking, small amount of Kozo is added. Very natural atmosphere. The colour light to dark and various thickness are available. |
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Paper Name : Sugikawa-shi (Medium Color) District : Noto-Nigyō Artisan : Tōmi Kazuyuki of Noto-Nigyo Washi Sepc : Cedar Bark & Kozo, 99x62cm, 78.5gsm Made from local cedar bark. For fibre interlocking, small amount of Kozo is added. Very natural atmosphere. The colour light to dark and various thickness are available. |
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Paper Name : Sugikawa-shi (Dark Color) District : Noto-Nigyō Artisan : Tōmi Kazuyuki of Noto-Nigyo Washi Sepc : Cedar Bark & Kozo, 99x62cm, 95.3gsm Made from local cedar bark. For fibre interlocking, small amount of Kozo is added. Very natural atmosphere. The colour light to dark and various thickness are available. |
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Paper Name : Kozo paper Medium (Miscanthus screen) District : Narushima Artisan : Aoki Kazunori of Narushima Japanese Paper Handcraft Center Sepc : Kozo, 95x61cm, 47.7gsm The Northern-End Washi in Japan. Made from all own cultivating material Kozo and rare wild Noriutsugi. The colour is slightly brownish. The Miscanthus screen mat gives beautiful narrow stripes. Available in 18-37 gsm. |
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Paper Name : Kozo paper Medium (Bamboo screen) District : Narushima Artisan : Aoki Kazunori of Narushima Japanese Paper Handcraft Center Sepc : Kozo, 95.0x61.0cm, 41.5gsm The Northern-End Washi in Japan. Made from all own cultivating material Kozo and rare wild Noriutsugi. The colour is slightly brownish. Available in 18-37 gsm. |
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Paper Name : Kozo paper Thick (Miscanthus screen) District : Narushima Artisan : Aoki Kazunori of Narushima Japanese Paper Handcraft Center Sepc : Kozo, 95x61cm, 65.4gsm The Northern-End Washi in Japan. Made from all own cultivating material Kozo and rare wild Noriutsugi. The colour is slightly brownish. The Miscanthus screen mat gives beautiful narrow stripes. Available in 18-37 gsm. |
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Paper Name : Nishinouchi-ban unbleached on Board Dry Double District : Nishinouchi Artisan : Kikuchi Daisuke of Kami no Sato Sepc : Kozo (Nasu), 53.5x38cm, 84.7gsm Made from their own farming high-quality Nasu Kozo100%. Double layered paper. Made in winter season only. Dried on ginkgo board in sunshine. |
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Paper Name : Nishinouchi Gasen-shi unbleached Double layer District : Nishinouchi Artisan : Kikuchi Daisuke of Kami no Sato Sepc : Kozo (Nasu) & Pulp, 105x72.5cm, 101.5gsm Made from their own farming high-quality Nasu Kozo 90%, plus Canadian pulp 10%. Double layered paper. Available in double-triple layered. |
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Paper Name : Nishinouchi Gasen-shi unbleached Triple layer District : Nishinouchi Artisan : Kikuchi Daisuke of Kami no Sato Sepc : Kozo (Nasu) & Pulp, 105x72.5cm, 124.0gsm Made from their own farming high-quality Nasu Kozo 90%, plus Canadian pulp 10%. Triple layered paper. Available in double-triple layered. |
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Paper Name : Kyōsei-shi District : Nishinouchi Artisan : Kikuchi Daisuke of Kami no Sato Sepc : Kozo (Nasu), 70x70cm, 69.1gsm The strengthened paper with konjac. Very strong. In history, it was used for harvest sac, farmer's clothes and various others. It is washable. |
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Paper Name : Persimmon Tannin paper District : Nishinouchi Artisan : Kikuchi Daisuke of Kami no Sato Sepc : Kozo (Nasu), 88x57.5cm, 63.5gsm The 100% own farming Nasu-Kozo paper with Persimmon Tannin. This is a traditional method for strengthening and anti-bookworm. The colour is dark brown. |
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Paper Name : Nishinouchi Zen-shi unbleached thin District : Nishinouchi Artisan : Kikuchi Hiroshi of Gosuke Washi Sepc : Kozo (Nasu), 160x77.5cm, 21.5gsm The big paper for Japanese traditional painting. For sensitive requirements, Available in from thin to very thick, doubled and tripled. |
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Paper Name : Nishinouchi Zen-shi unbleached very thick District : Nishinouchi Artisan : Kikuchi Hiroshi of Gosuke Washi Sepc : Kozo (Nasu), 160x77.5cm, 32.2gsm The big paper for Japanese traditional painting. For sensitive requirements, Available in from thin to very thick, doubled and tripled. |
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Paper Name : Nishinouchi Zen-shi unbleached Double layer District : Nishinouchi Artisan : Kikuchi Hiroshi of Gosuke Washi Sepc : Kozo (Nasu), 160x77.5cm, 38.3gsm The big paper for Japanese traditional painting. For sensitive requirements, Available in from thin to thick, doubled and tripled. |
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Paper Name : Nishinouchi Zen-shi unbleached Triple layer District : Nishinouchi Artisan : Kikuchi Hiroshi of Gosuke Washi Sepc : Kozo (Nasu), 160x77.5cm, 41.9gsm The big paper for Japanese traditional painting. For sensitive requirements, Available in from thin to thick, doubled and tripled. |
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Paper Name : Organic paper District : Nanayama Artisan : Maeda Takaharu of Kamizuki Shikoushitsu Sepc : Kozo, 94x64cm, 35.8gsm The pure organic paper, specially made for food wrapping. Made from Tosa (Kochi) Kozo 100%. |
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Paper Name : Sashido gami District : Nanayama Artisan : Maeda Takaharu of Kamizuki Shikoushitsu Sepc : Kozo, 94x64cm, 69.0gsm The design paper with porcelain clay powder pouring. Karatsu, nearby Nanayama, is one of the biggest porcelain town in Japan. Mr Maeda reuse the waste clay for the paper. The design can be seen well through the lights. |
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Paper Name : Oguni paper (thick) District : Oguni Artisan : Imai Hiroaki of Oguni Washi Seisan Kumiai Sepc : Kozo, 39.5x28.5cm, 38.3gsm Made from all own cultivating material Kozo. They are located in heavy snow village. Snow bleaching and Sun-drying gives natural whiteness. Available in different thickness 11-37 gsm and double-layered 52 gsm. |
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Paper Name : Kozo paper snow bleached 3 monme District : Oguni Artisan : Imai Hiroaki of Oguni Washi Seisan Kumiai Sepc : Kozo, 39.5x28.5cm, 38.3gsm Made from all own cultivating material Kozo. They are located in heavy snow village. Snow bleaching and Sun-drying gives natural whiteness. Available in different thickness 11-37 gsm and double-layered 52 gsm. |
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Paper Name : Hosokawa-shi 4 monme District : Ogawa Artisan : Kubo Seiichi of Kubo Seishisho Sepc : Kozo (Tosa), 94.0x63.0cm, 27.7gsm The paper designated as the UNESCO Intangible Cultural Heritage. Made from Tosa Kozo 100%, but it is slowly changing to use local farming Kozo again. It is made only in a cold winter season. Very standard Kozo paper for multi-purpose. Available in 15-30 gsm. |
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Paper Name : Hosokawa-shi 5 monme District : Ogawa Artisan : Kubo Seiichi of Kubo Seishisho Sepc : Kozo (Tosa), 94.0x63.0cm, 31.1gsm The paper designated as the UNESCO Intangible Cultural Heritage. Made from Tosa Kozo 100%, but it is slowly changing to use local farming Kozo again. It is made only in a cold winter season. Very standard Kozo paper for multi-purpose. Available in 15-30 gsm. |
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Paper Name : Hosokawa-shi 6 monme District : Ogawa Artisan : Kubo Seiichi of Kubo Seishisho Sepc : Kozo (Tosa), 94.0x63.0cm, 41.5gsm The paper designated as the UNESCO Intangible Cultural Heritage. Made from Tosa Kozo 100%, but it is slowly changing to use local farming Kozo again. It is made only in a cold winter season. Very standard Kozo paper for multi-purpose. Available in 15-30 gsm. |
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Paper Name : Hosokawa-shi thin District : Ogawa Artisan : Negishi Mitsukazu of Negishi Seishisho Sepc : Kozo (Tosa), 93.5x63.4cm, 28.7gsm The paper designated as the UNESCO Intangible Cultural Heritage. Made from Tosa Kozo 100%, but it is slowly changing to use local farming Kozo again. It is made only in a cold winter season. Very standard Kozo paper for multi-purpose. Available in thin to thick based on the requirement. |