{"id":4299,"date":"2020-05-12T10:20:37","date_gmt":"2020-05-12T01:20:37","guid":{"rendered":"https:\/\/poj.co.jp\/paper\/?p=4299"},"modified":"2020-08-20T13:54:26","modified_gmt":"2020-08-20T04:54:26","slug":"tome-zuki","status":"publish","type":"post","link":"https:\/\/poj.co.jp\/paper\/process\/tome-zuki\/","title":{"rendered":"Process: Tome-zuki (Kami-suki #3)"},"content":{"rendered":"\n\t<iframe loading=\"lazy\" width=\"1080\" height=\"510\" src=\"https:\/\/www.youtube.com\/embed\/0nxdQlAKaNQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n\t<p><strong>Tome-Zuki is the hybrid method of Tame-zuki and Nagashi-zuki, so it is called also Tame-Nagashi-Zuki. \u201dTome\u201d means &#8220;Keeping&#8221; or &#8220;Stopping&#8221;. The artisan scoops the fibre solution from the vat, then shakes the mould and waits for a while until the material drains. The timing is not strictly defined, and only recognized by the artisans individually. Uda-gami of Yoshino is made using this method. Although this is not a widely-used method, some of the artisans use this method occasionally to suit a particular requirement.\u00a0<\/strong><\/p>\n<h2>\n\t\tRelated Topics\n\t<\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Tome-Zuki is the hybrid method of Tame-zuki and Nagashi-zuki, so it is called also Tame-Nagashi-Zuki. \u201dTome\u201d means &#8220;Keeping&#8221; or &#8220;Stopping&#8221;. The artisan scoops the fibre solution from the vat, then shakes the mould and waits for a while until the material drains. The timing is not strictly defined, and only recognized by the artisans individually. Uda-gami of Yoshino is made using this method. Although this is not a widely-used method, some of the artisans use this method occasionally to suit a particular requirement.\u00a0 Related Topics<\/p>\n","protected":false},"author":1,"featured_media":4492,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[54],"tags":[57],"acf":[],"_links":{"self":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts\/4299"}],"collection":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/comments?post=4299"}],"version-history":[{"count":5,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts\/4299\/revisions"}],"predecessor-version":[{"id":4498,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts\/4299\/revisions\/4498"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/media\/4492"}],"wp:attachment":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/media?parent=4299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/categories?post=4299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/tags?post=4299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}