{"id":4174,"date":"2020-05-02T22:11:15","date_gmt":"2020-05-02T13:11:15","guid":{"rendered":"https:\/\/poj.co.jp\/paper\/?p=4174"},"modified":"2020-05-11T14:10:35","modified_gmt":"2020-05-11T05:10:35","slug":"ez-07-osada-seishisho","status":"publish","type":"post","link":"https:\/\/poj.co.jp\/paper\/site\/workshop\/ez-07-osada-seishisho\/","title":{"rendered":"EZ-07 Osada Seishisho"},"content":{"rendered":"\n\t<strong>Osada Seishisho mainly makes the paper for Fusuma(\u8956), which is a Japanese sliding door 200cmx110cm big. The beautiful papers are an important part of the traditional Japanese houses.<\/strong><br \/>\n<strong>Mr Osada Kazuya is passionately challenging not only traditional paper but also modern artistic paper. Tennen-shi (\u5929\u7136\u7d19=Natural paper) is one of his life-work. It is processed based on organic material with a genuine traditional method and added modern sense. <\/strong><br \/>\n<strong>His mother, Eiko is also virtuosic artisan, listed in the \u201cContemporary Master Craftsman\u201d. Recently, his daughter, Izumi joined the workshop. Three generations are tackling to create the future of Washi.<\/strong>\n\t\t\t\t\t<a href=\"#\" id=\"fl-tabs--label-0\" data-index=\"0\" aria-selected=\"true\" aria-controls=\"fl-tabs--panel-0\" aria-expanded=\"true\" role=\"tab\" tabindex=\"0\">\t\t\t\tPAPERS\t\t\t<\/a>\n\t\t\t\t\t<a href=\"#\" id=\"fl-tabs--label-1\" data-index=\"1\" aria-selected=\"false\" aria-controls=\"fl-tabs--panel-1\" aria-expanded=\"false\" role=\"tab\" tabindex=\"0\">\t\t\t\tWORKSHOP INFO\t\t\t<\/a>\n\t\t\t\t\t<a href=\"#\" id=\"fl-tabs--label-2\" data-index=\"2\" aria-selected=\"false\" aria-controls=\"fl-tabs--panel-2\" aria-expanded=\"false\" role=\"tab\" tabindex=\"0\">\t\t\t\tARTISANS\t\t\t<\/a>\n\t\t\t\tPAPERS\n\t\t\t\t\t\t\t<div id='gallery-1' class='gallery galleryid-4174 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/poj.co.jp\/paper\/ez-07a-003-2\/'><img width=\"150\" height=\"150\" src=\"https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/EZ-07A-003-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-1554\" srcset=\"https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/EZ-07A-003-150x150.jpg 150w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/EZ-07A-003-300x300.jpg 300w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/EZ-07A-003-1024x1024.jpg 1024w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/EZ-07A-003-768x768.jpg 768w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/EZ-07A-003-1536x1536.jpg 1536w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/EZ-07A-003-600x600.jpg 600w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/EZ-07A-003-100x100.jpg 100w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/EZ-07A-003.jpg 2048w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1554'>\n\t\t\t\tEZ-07A-003 Kozo,26.5&#215;19.0cm,83.3gsm\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n\t\t\t\tWORKSHOP INFO\n\t\t\t\t\t\t\t<table width=\"100%\">\n<tbody>\n<tr>\n<td width=\"218\">Code (District)<\/td>\n<td width=\"218\"><strong>EZ-07 (Echizen)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Company<\/td>\n<td><strong>Osada Seishisho (\u9577\u7530\u88fd\u7d19\u6240)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Representative Artisan<\/td>\n<td><strong>Osada Kazuya (\u9577\u7530\u548c\u4e5f)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Established \/ Generation<\/td>\n<td><strong>Early 20C \/ 4th<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Location<\/td>\n<td><strong>Fukui Pref., Echizen-City, Otaki-Cho<\/strong><\/td>\n<\/tr>\n<tr>\n<td>HomePage<\/td>\n<td><strong>http:\/\/www.ne.jp\/asahi\/osd\/washi\/<\/strong><\/td>\n<\/tr>\n<tr>\n<td>No.of Workers (Sukite)<\/td>\n<td><strong>5 ( 3 )<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Main Product<\/td>\n<td><strong>Fusuma paper \/ Art paper \/ Lamp Shade paper<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Work Season<\/td>\n<td><strong>Year-round<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Material (Main) @ Farm<\/td>\n<td><strong>Kozo \/ Mitsumata<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Dispersant @ Farm<\/td>\n<td><strong>Tororoaoi<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Material (Other) @ Farm<\/td>\n<td><strong>Mitsumata<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Water<\/td>\n<td><strong>Well<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Steaming<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Beating<\/td>\n<td><strong>Stamper<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Fibre Dissolving<\/td>\n<td><strong>Naginata Beater<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Screen Mat<\/td>\n<td><strong>Bamboo \/ Gauze<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Drying (on board)<\/td>\n<td><strong>Ginkgo board with Chamber<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Drying (hot metal)<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Workshop Certified<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Award\/Conferment<\/td>\n<td><strong>The Contemporary Master Craftsman (Osada Eiko, 2016)<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\t\t\t\tARTISANS\n\t\t\t\t\t\t\t<table width=\"100%\">\n<tbody>\n<tr>\n<td width=\"218\">Artisan Code (A)<\/td>\n<td width=\"218\"><strong>EZ-07A<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Name<\/td>\n<td><strong>Osada Eiko (\u9577\u7530\u69ae\u5b50)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Gender \/ Age \/ Experience<\/td>\n<td><strong>Female\u00a0 \/\u00a0 age 83\u00a0 \/\u00a0 59 yrs<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Master\/Trained<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Main Product (Role)<\/td>\n<td><strong>Wallpaper \/ Fusuma paper<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Personal Certified<\/td>\n<td><strong>The Certified Traditional Craftsman<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Award\/Conferment<\/td>\n<td><strong>The Contemporary Master Craftsman (2016)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Note<\/td>\n<td><strong>Kazuya&#8217;s Mother<\/strong><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Artisan Code (B)<\/td>\n<td><strong>EZ-07B<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Name<\/td>\n<td><strong>Osada Kazuya (\u9577\u7530\u548c\u4e5f)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Gender \/ Age \/ Experience<\/td>\n<td><strong>Male\u00a0 \/\u00a0 age 60\u00a0 \/\u00a0 33 yrs<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Master\/Trained<\/td>\n<td><strong>Mother (Osada Eiko)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Main Product (Role)<\/td>\n<td><strong>Fusuma paper \/ Art paper \/ Lamp Shade paper<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Personal Certified<\/td>\n<td><strong>The Certified Traditional Craftsman<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Award\/Conferment<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Note<\/td>\n<td><strong>Eiko&#8217;s Son<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Osada Seishisho mainly makes the paper for Fusuma(\u8956), which is a Japanese sliding door 200cmx110cm big. The beautiful papers are an important part of the traditional Japanese houses. Mr Osada Kazuya is passionately challenging not only traditional paper but also modern artistic paper. Tennen-shi (\u5929\u7136\u7d19=Natural paper) is one of his life-work. It is processed based on organic material with a genuine traditional method and added modern sense. His mother, Eiko is also virtuosic artisan, listed in the \u201cContemporary Master Craftsman\u201d. Recently, his daughter, Izumi joined the workshop. Three generations are tackling to create the future of Washi. PAPERS WORKSHOP INFO ARTISANS PAPERS WORKSHOP INFO Code (District) EZ-07 (Echizen) Company Osada [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[52],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts\/4174"}],"collection":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/comments?post=4174"}],"version-history":[{"count":0,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts\/4174\/revisions"}],"wp:attachment":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/media?parent=4174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/categories?post=4174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/tags?post=4174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}