{"id":3847,"date":"2020-04-28T17:55:42","date_gmt":"2020-04-28T08:55:42","guid":{"rendered":"https:\/\/poj.co.jp\/paper\/?p=3847"},"modified":"2020-05-04T20:35:59","modified_gmt":"2020-05-04T11:35:59","slug":"ts-06-rogier-uitenboogaart","status":"publish","type":"post","link":"https:\/\/poj.co.jp\/paper\/site\/workshop\/ts-06-rogier-uitenboogaart\/","title":{"rendered":"TS-06 Rogier Uitenboogaart"},"content":{"rendered":"\n\t<strong>Mr Rogier Uitenboogaart is a Dutchman, came to Japan in 1980. Since then, he has got big respect and understanding for Japanese culture, and approaches to Washi with academically as well, not like traditional Japanese artisans. <\/strong><br \/>\n<strong>Now, besides Washi making, he teaches Washi at his workshop and university. As a result, many people have been influenced by him. <\/strong><br \/>\n<strong>He makes not only traditional Japanese paper but also Cotton paper-like European. His paper is used in many scenes including the collaboration work with famous architects.<\/strong><br \/>\n<strong>At present, he is an indispensable person for Washi industry.<\/strong>\n\t\t\t\t\t<a href=\"#\" id=\"fl-tabs--label-0\" data-index=\"0\" aria-selected=\"true\" aria-controls=\"fl-tabs--panel-0\" aria-expanded=\"true\" role=\"tab\" tabindex=\"0\">\t\t\t\tPAPERS\t\t\t<\/a>\n\t\t\t\t\t<a href=\"#\" id=\"fl-tabs--label-1\" data-index=\"1\" aria-selected=\"false\" aria-controls=\"fl-tabs--panel-1\" aria-expanded=\"false\" role=\"tab\" tabindex=\"0\">\t\t\t\tWORKSHOP INFO\t\t\t<\/a>\n\t\t\t\t\t<a href=\"#\" id=\"fl-tabs--label-2\" data-index=\"2\" aria-selected=\"false\" aria-controls=\"fl-tabs--panel-2\" aria-expanded=\"false\" role=\"tab\" tabindex=\"0\">\t\t\t\tARTISANS\t\t\t<\/a>\n\t\t\t\tPAPERS\n\t\t\t\t\t\t\t<div id='gallery-1' class='gallery galleryid-3847 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/poj.co.jp\/paper\/ts-06a-004-2\/'><img width=\"150\" height=\"150\" src=\"https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/TS-06A-004-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-1693\" srcset=\"https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/TS-06A-004-150x150.jpg 150w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/TS-06A-004-300x300.jpg 300w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/TS-06A-004-1024x1024.jpg 1024w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/TS-06A-004-768x768.jpg 768w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/TS-06A-004-1536x1536.jpg 1536w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/TS-06A-004-600x600.jpg 600w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/TS-06A-004-100x100.jpg 100w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/TS-06A-004.jpg 2048w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1693'>\n\t\t\t\tTS-06A-004 Kozo(TigerSpotted),105.0&#215;69.0cm,23.5gsm\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n\t\t\t\tWORKSHOP INFO\n\t\t\t\t\t\t\t<table width=\"100%\">\n<tbody>\n<tr>\n<td width=\"218\">Code (District)<\/td>\n<td width=\"218\"><strong>TS-06 (Tosa)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Company<\/td>\n<td><strong>Kamikoya (\u304b\u307f\u3053\u3084)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Representative\/Artisan<\/td>\n<td><strong>Rogier Uitenboogaart\u00a0 (\u30ed\u30ae\u30fc\u30eb)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Established \/ Generation<\/td>\n<td><strong>1992 \/ Founder<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Location<\/td>\n<td><strong>Kochi Pref., Takaoka-Gun, Yusuhara-Cho<\/strong><\/td>\n<\/tr>\n<tr>\n<td>HomePage<\/td>\n<td><strong>http:\/\/kamikoya-washi.com\/<\/strong><\/td>\n<\/tr>\n<tr>\n<td>No.of Workers (Sukite)<\/td>\n<td><strong>2 ( 1 )<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Main Product<\/td>\n<td><strong>Kozo paper<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Work Season<\/td>\n<td><strong>except Summer<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Material (Main) @ Farm<\/td>\n<td><strong>Kozo @ Own<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Dispersant @ Farm<\/td>\n<td><strong>Tororoaoi @ Own<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Material (Other) @ Farm<\/td>\n<td><strong>Cotton \/ Mitsumata \/ Gampi<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Water<\/td>\n<td><strong>Mountain<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Steaming<\/td>\n<td><strong>Self<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Beating<\/td>\n<td><strong>Hand \/ Stamper<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Fibre Dissolving<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Screen Mat<\/td>\n<td><strong>Bamboo<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Drying (on board)<\/td>\n<td><strong>Yes board with Sun Drying<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Drying (hot metal)<\/td>\n<td><strong>No<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Workshop Certified<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Award\/Conferment<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\t\t\t\tARTISANS\n\t\t\t\t\t\t\t<table width=\"100%\">\n<tbody>\n<tr>\n<td width=\"218\">Artisan Code (A)<\/td>\n<td width=\"218\"><strong>TS-06A<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Name<\/td>\n<td><strong>Rogier Uitenboogaart\u00a0 (\u30ed\u30ae\u30fc\u30eb \u30a2\u30a6\u30c6\u30f3\u30dc\u30fc\u30ac\u30eb\u30c8)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Gender \/ Age \/ Experience<\/td>\n<td><strong>Male\u00a0 \/\u00a0 age 65\u00a0 \/\u00a0 38 yrs<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Master\/Trained<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Main Product (Role)<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Personal Certified<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Award\/Conferment<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Note<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Artisan Code (B)<\/td>\n<td><strong>TS-06B<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Name<\/td>\n<td><strong>Yohei Uitenboogaart (\u967d\u5e73 \u30a2\u30a6\u30c6\u30f3\u30dc\u30fc\u30ac\u30eb\u30c8)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Gender \/ Age \/ Experience<\/td>\n<td><strong>Male\u00a0 \/\u00a0\u00a0<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Master\/Trained<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Main Product (Role)<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Personal Certified<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Award\/Conferment<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Note<\/td>\n<td><strong>Rogier&#8217;s Son<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Mr Rogier Uitenboogaart is a Dutchman, came to Japan in 1980. Since then, he has got big respect and understanding for Japanese culture, and approaches to Washi with academically as well, not like traditional Japanese artisans. Now, besides Washi making, he teaches Washi at his workshop and university. As a result, many people have been influenced by him. He makes not only traditional Japanese paper but also Cotton paper-like European. His paper is used in many scenes including the collaboration work with famous architects. At present, he is an indispensable person for Washi industry. PAPERS WORKSHOP INFO ARTISANS PAPERS WORKSHOP INFO Code (District) TS-06 (Tosa) Company Kamikoya (\u304b\u307f\u3053\u3084) Representative\/Artisan Rogier [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3417,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[52],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts\/3847"}],"collection":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/comments?post=3847"}],"version-history":[{"count":0,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts\/3847\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/media\/3417"}],"wp:attachment":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/media?parent=3847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/categories?post=3847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/tags?post=3847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}