{"id":3524,"date":"2020-04-24T18:02:08","date_gmt":"2020-04-24T09:02:08","guid":{"rendered":"https:\/\/poj.co.jp\/paper\/?p=3524"},"modified":"2020-05-02T16:30:28","modified_gmt":"2020-05-02T07:30:28","slug":"nj-01-baba-seishisho","status":"publish","type":"post","link":"https:\/\/poj.co.jp\/paper\/site\/workshop\/nj-01-baba-seishisho\/","title":{"rendered":"NJ-01 Baba Seishisho"},"content":{"rendered":"\n\t<strong>Mr Baba Kazuhiko is the last artisan, who makes Gold-Leaf beating paper.<\/strong><br \/>\n<strong>Recently, most of the Gold-Leaf makers use glassine paper, very few makers still inherit their historic process of using the traditional paper. For such old-fashioned makers, he keeps making the paper. Even its purpose is very special narrow, but it can be utilized for many others.<\/strong><br \/>\n<strong>In history, the Najio Gampi paper was used for various Japanese culture, especially paintings. It is very thin, but very tough, and also anti-worm, because it contains clay.<\/strong>\n\t\t\t\t\t<a href=\"#\" id=\"fl-tabs--label-0\" data-index=\"0\" aria-selected=\"true\" aria-controls=\"fl-tabs--panel-0\" aria-expanded=\"true\" role=\"tab\" tabindex=\"0\">\t\t\t\tPAPERS\t\t\t<\/a>\n\t\t\t\t\t<a href=\"#\" id=\"fl-tabs--label-1\" data-index=\"1\" aria-selected=\"false\" aria-controls=\"fl-tabs--panel-1\" aria-expanded=\"false\" role=\"tab\" tabindex=\"0\">\t\t\t\tINFORMATION\t\t\t<\/a>\n\t\t\t\t\t<a href=\"#\" id=\"fl-tabs--label-2\" data-index=\"2\" aria-selected=\"false\" aria-controls=\"fl-tabs--panel-2\" aria-expanded=\"false\" role=\"tab\" tabindex=\"0\">\t\t\t\tARTISANS\t\t\t<\/a>\n\t\t\t\tPAPERS\n\t\t\t\t\t\t\t<div id='gallery-1' class='gallery galleryid-3524 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/poj.co.jp\/paper\/nj-01a-001-2\/'><img width=\"150\" height=\"150\" src=\"https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/NJ-01A-001-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-1619\" srcset=\"https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/NJ-01A-001-150x150.jpg 150w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/NJ-01A-001-300x300.jpg 300w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/NJ-01A-001-1024x1024.jpg 1024w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/NJ-01A-001-768x768.jpg 768w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/NJ-01A-001-1536x1536.jpg 1536w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/NJ-01A-001-600x600.jpg 600w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/NJ-01A-001-100x100.jpg 100w, https:\/\/poj.co.jp\/paper\/wp\/wp-content\/uploads\/2020\/04\/NJ-01A-001.jpg 2048w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1619'>\n\t\t\t\tNJ-01A-001 Gampi,58.0&#215;41.0cm,23.7gsm\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n\t\t\t\tINFORMATION\n\t\t\t\t\t\t\t<table width=\"100%\">\n<tbody>\n<tr>\n<td width=\"218\">Code (District)<\/td>\n<td width=\"218\"><strong>NJ-01 (Najio)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Company<\/td>\n<td><strong>Baba Seishisho (\u99ac\u5834\u88fd\u7d19\u6240)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Representative\/Artisan<\/td>\n<td><strong>Baba Kazuhiko (\u99ac\u5834\u548c\u6bd4\u53e4)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Established \/ Generation<\/td>\n<td><strong>Late 19C \/ 4th<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Location<\/td>\n<td><strong>Hyougo Pref., Nishinomiya-City, Najio<\/strong><\/td>\n<\/tr>\n<tr>\n<td>HomePage<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>No.of Workers (Sukite)<\/td>\n<td><strong>3 (1)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Main Product<\/td>\n<td><strong>Hakuuchi-shi (Gold-Leaf beating paper)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Work Season<\/td>\n<td><strong>10-6<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Material (Main) @ Farm<\/td>\n<td><strong>Gampi @ Local<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Dispersant @ Farm<\/td>\n<td><strong>Noriutsugi @ Hokkaido<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Material (Other) @ Farm<\/td>\n<td><strong>Clay @ Local<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Water<\/td>\n<td><strong>Mountain<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Steaming<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Beating<\/td>\n<td><strong>Stamper<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Fibre Dissolving<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Screen Mat<\/td>\n<td><strong>Bamboo(Double)+Gauze<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Drying (on board)<\/td>\n<td><strong>Ginkgo board with Sun Drying<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Drying (hot metal)<\/td>\n<td><strong>No<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Workshop Certified<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Award\/Conferment<\/td>\n<td><strong>The Nishinomiya City citizen&#8217;s culture prize<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\t\t\t\tARTISANS\n\t\t\t\t\t\t\t<table width=\"100%\">\n<tbody>\n<tr>\n<td width=\"218\">Artisan Code (A)<\/td>\n<td width=\"218\"><strong>NJ-01A<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Name<\/td>\n<td><strong>Baba Kazuhiko (\u99ac\u5834\u548c\u6bd4\u53e4)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Gender \/ Age \/ Experience<\/td>\n<td><strong>Male\u00a0 \/\u00a0 age 66\u00a0 \/\u00a0 42 yrs<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Master\/Trained<\/td>\n<td><strong>Father (Baba Takayoshi)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Main Product (Role)<\/td>\n<td><strong>Hakuuchi-shi<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Personal Certified<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Award\/Conferment<\/td>\n<td><strong>The Nishinomiya City citizen&#8217;s culture prize<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Note<\/td>\n<td><strong>\u3000<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Mr Baba Kazuhiko is the last artisan, who makes Gold-Leaf beating paper. Recently, most of the Gold-Leaf makers use glassine paper, very few makers still inherit their historic process of using the traditional paper. For such old-fashioned makers, he keeps making the paper. Even its purpose is very special narrow, but it can be utilized for many others. In history, the Najio Gampi paper was used for various Japanese culture, especially paintings. It is very thin, but very tough, and also anti-worm, because it contains clay. PAPERS INFORMATION ARTISANS PAPERS INFORMATION Code (District) NJ-01 (Najio) Company Baba Seishisho (\u99ac\u5834\u88fd\u7d19\u6240) Representative\/Artisan Baba Kazuhiko (\u99ac\u5834\u548c\u6bd4\u53e4) Established \/ Generation Late 19C \/ 4th [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3316,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[52],"tags":[57],"acf":[],"_links":{"self":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts\/3524"}],"collection":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/comments?post=3524"}],"version-history":[{"count":0,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/posts\/3524\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/media\/3316"}],"wp:attachment":[{"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/media?parent=3524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/categories?post=3524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/poj.co.jp\/paper\/wp-json\/wp\/v2\/tags?post=3524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}